Use of the Classical Tragic Mold in Shakespeares Macbeth :: Macbeth essays

Macbeth The Use of the Classical tragical Mold in spirit Development          In Shakespe bes tragedy, Macbeth, there are many characters. Only unrivalled character stands out, and his name is in the title of the play.Macbeths character was made in the mold of the ancient Greek tragic hero.Besides being invest by Shakespeare with an abundance and variety ofpotential traits and characteristics, Macbeth also follows the Classical sad Mold, which is presented with a hefty supply of hubris, and in thiscase, ambition. Because Macbeth follows the Classical Tragic Mold, he is aClassical Tragic Hero.         The first step of the Classical Tragic Mold is recognizing the conundrum. The problem in Macbeth is not a true problem that presents itselfoutwardly. The problem for the character of Macbeth is deciding if heshould listen to his ambition and deplete Duncan. At first, he ponders reasonswhy not to kill his king. He at first thinks that he cannot kill himbecause of four reasons Macbeth is Duncans subject, Duncan is a good king,they are blood-related, and Macbeth is his host. These reasons dissuadeMacbeth at first, but later Lady Macbeth convinces him, by unbelieving hismanhood, to commit the dastardly crime. When he finally murders Duncan, theproblem comes to closure. But, even ache before then, the next step in themold had begun the descent into the abyss.         The decorous into the abyss is the minute step in the ClassicalTragic Mold. It is started with Macbeths second soliloquy. This is afterMacbeth hears from Duncan that Malcolm was to be named the Prince ofCumberland. The Prince of Cumberland That is a step on which I essential falldown, or else oerleap, for in my way it lies ... Let not begin see myblack and deep desires. (Shakespeare, 281). This quote from the soliloquyindicates that Macbeth has, indeed, told himself that he go away commit themurde r of Duncan, although he doesnt actually admit it until his wifepressures him to do so. With this decision, the reader (or audience) reads(or sees) that Macbeth is straying from the righteous path, and descendinginto the abyss, even though he is keeping his feelings to himself. Hisdecision to murder Duncan tarnishes his war hero image and casts it in anominous shadow.         The third step in the mold has two separate and is known asTransformation and Transcendence. The character of Macbeth goes intoTransformation during his fourth soliloquy. ...I feature lived long enough.My way of life is falln into the sear... (Shakespeare, 343).