Although he subsequently studied objet dart with Milton Babbitt, he chose to apply what he learned he all-or-nothing commercial hothouse of Broadway. Like Hammerstein, he has written the occasional reach song (with Jule Styne for Tony Bennett) and dabbled in films (Stavisky, Reds, Dick Tracy), but, like Hammerstein, he has always come strike to the theatre. His initial success came as a somewhat soft lyricist to Leonard Bernstein on western hemisphere Side Story (1957) and Jule Styne on Gypsy (1959...If you want to get a full essay, mandate it on our website: Ordercustompaper.com
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